1分时时彩手机投注网址 -贵州快3手机购彩网址-<OtzlX7W>

面向世界科技前沿,面向国家重大需求,面向国民经济主战场,率先实现科学技术跨越发展,率先建成国家创新人才高地,率先建成国家高水平科技智库,率先建设国际一流科研机构。

——「1分时时彩手机投注网址 知己知彼 百战不殆」

首页 > 院内要闻

1分时时彩手机投注网址

2020-08-10 02:08:36 站长之家
【字体:

语音播报

The introduction of Teichmüller’s name affords me an opportunity for mentioning that my attention was not directed to his brilliant researches into various questions connected with Greek philosophy, and more particularly with the systems of Plato and Aristotle, until it was too late for me to profit by them in the present work. I allude more particularly to his Studien zur Geschichte der Begriffe (Berlin, 1874), and to his recently published Literarische Fehden im vierten Jahrhundert vor Chr. (Breslau, 1881). The chief points of the former work are, that Plato was really a pantheist or monist, not, as is commonly believed and as I have myself taken for granted, a dualist; that, as a consequence of the suppression of individuality which characterises his system, he did not really accept or teach the doctrine of personal immortality, although he wished that the mass of the people should believe it; that Plato no more attributed a transcendent existence to his ideas than did Aristotle to his substantial forms; and that in putting an opposite interpretation on his old master’s theory, Aristotle is guilty of gross misrepresentation. The most important point of the Literarische Fehden is that Aristotle published his Ethicsxix while Plato was still alive and engaged in the composition of his Laws, and that certain passages in the latter work, of which one relates to free-will and the other to the unity of virtue (861, A ff. and 962 ff.) were intended as a reply to Aristotle’s well-known criticisms on the Platonic theory of ethics.年为While most educated persons will admit that the Greeks are our masters in science and literature, in politics and art, some even among those who are free from theological prejudices will not be prepared to grant that the principles which claim to guide our conduct are only a wider extension or a more specific application of Greek ethical teaching. Hebraism has been opposed to Hellenism as the educating power whence our love of righteousness is derived, and which alone prevents the foul orgies of a primitive nature-worship from being still celebrated in the midst of our modern civilisation. And many look on old Roman religion as embodying a sense of duty higher than any bequeathed to us by Greece. The Greeks have, indeed, suffered seriously from their own sincerity. Their literature is a perfect image of their life, reflecting every blot and every flaw, unveiled, uncoloured, undisguised. It was, most fortunately, never subjected to the revision of a jealous priesthood, bent on removing every symptom inconsistent with the hypothesis of a domination exercised by themselves through all the past. Nor yet has their history been systematically falsified to prove that they never wrongfully attacked a neighbour, and were invariably obliged to conquer in self-defence. Still, even taking the records as they stand, it is to Greek rather than to Hebrew or Roman annals that we must look for examples of true virtue; and in Greek literature, earlier than in any other, occur precepts like those which are now held to be most distinctively character55istic of Christian ethics. Let us never forget that only by Stoical teaching was the narrow and cruel formalism of ancient Roman law elevated into the ‘written reason’ of the imperial jurists; only after receiving successive infiltrations of Greek thought was the ethnic monotheism of Judaea expanded into a cosmopolitan religion. Our popular theologians are ready enough to admit that Hellenism was providentially the means of giving Christianity a world-wide diffusion; they ignore the fact that it gave the new faith not only wings to fly, but also eyes to see and a soul to love. From very early times there was an intuition of humanity in Hellas which only needed dialectical development to become an all-sufficient law of life. Homer sympathises ardently with his own countrymen, but he never vilifies their enemies. He did not, nor did any Greek, invent impure legends to account for the origin of hostile tribes whose kinship could not be disowned; unlike Samuel, he regards the sacrifice of prisoners with unmixed abhorrence. What would he, whose Odysseus will not allow a shout of triumph to be raised over the fallen, have said to Deborah’s exultation at the murder of a suppliant fugitive? Courage was, indeed, with him the highest virtue, and Greek literature abounds in martial spirit-stirring tones, but it is nearly always by the necessities of self-defence that this enthusiasm is invoked; with Pindar and Simonides, with Aeschylus and Sophocles, it is resistance to an invader that we find so proudly commemorated; and the victories which make Greek history so glorious were won in fighting to repel an unjust aggression perpetrated either by the barbarians or by a tyrant state among the Greeks themselves. There was, as will be shown hereafter, an unhappy period when right was either denied, or, what comes to the same thing, identified with might; but this offensive paradox only served to waken true morality into a more vivid self-consciousness, and into the felt need of discovering for itself a stronger foundation than usage and tradition, a loftier56 sanction than mere worldly success could afford. The most universal principle of justice, to treat others as we should wish to be treated ourselves, seems before the Rabbi Hillel’s time to have become almost a common-place of Greek ethics;43 difficulties left unsolved by the Book of Job were raised to a higher level by Greek philosophy; and long before St. Paul, a Plato reasoned of righteousness, temperance, and judgment to come.米长目标缘的着颚

    III.摸出As a result of the preceding analysis, Plotinus at last identifies Matter with the Infinite—not an infinite something, but the Infinite pure and simple, apart from any subject of which it can be predicated. We started with what seemed a broad distinction between intelligible and sensible Matter. That distinction now disappears in a new and more comprehensive conception; and, at the same time, Plotinus begins to see his way towards a restatement of his whole system in clearer terms. ‘The Infinite is generated from the infinity or power or eternity of the One; not that there is infinity in the One, but that it is created by the One.’484 With the first outrush of energy from the primal fount of things, Matter begins to exist. But no sooner do movement and difference start into life, than they are restrained and bent back by the presence of the One; and this reflection of power or being on itself constitutes the supreme self-consciousness of Nous.485 Whether the subsequent creation of Soul involves a fresh production of energy, or whether a portion of the original stream, which was called into existence by the One, escapes from the restraining self-consciousness of Nous and continues its onward flow—this Plotinus does not say. What he does say is that Soul stands to Nous in the relation of Matter to Form, and is raised to perfection by gazing back on the Ideas contained in Nous, just as Nous itself had been perfected by returning to the One.486 But while the two higher principles remain stationary, the Soul, besides giving birth to a fresh stream of energy, turns towards her own creation and away from the fountain of her life. And, apparently, it is only by328 this condescension on her part that the visible world could have been formed.487 We can explain this by supposing that as the stream of Matter departs more and more from the One, its power of self-reflection continually diminishes, and at length ceases altogether. It is thus that the substratum of sensible objects must, as we have seen, be conceived under the aspect of a passive recipient for the forms imposed on it by the Soul; and just as those forms are a mere image of the noetic Ideas, so also, Plotinus tells us, is their Matter an image of the intelligible Matter which exists in the Nous itself; only the image realises the conception of a material principle more completely than the archetype, because of its more negative and indeterminate nature, a diminution of good being equivalent to an increase of evil.488间回将黑I.余人

  Our personality, says the Alexandrian philosopher, cannot be a property of the body, for this is composed of parts, and is in a state of perpetual flux. A man’s self, then, is his soul; and the soul cannot be material, for the ultimate elements of matter are inanimate, and it is inconceivable that animation and reason should result from the aggregation of particles which, taken singly, are destitute of both; while, even were it possible, their disposition in a certain order would argue the presence of an intelligence controlling them from without. The Stoics themselves admit the force of these considerations, when they attribute reason to the fiery element or vital breath by which, according to them, all things are shaped. They do, indeed, talk about a certain elementary disposition as the principle of animation, but this disposition is either identical with the matter possessing it, in which case the difficulties already mentioned recur, or distinct from it, in which case the animating principle still remains to be accounted for.己了 It would seem from this singular and touching expression of gratitude that the deathless idealism of Hellas found in Nero’s gift of a nominal liberty ample compensation for the very real and precious works of art of which she was despoiled on the occasion of his visit to her shores. At first sight, that visit looks like nothing better than a display of triumphant buffoonery on the one side and of servile adulation on the other. But, in reality, it was a turning-point in the history of civilisation, the awakening to new glories of a race in whom life had become, to all outward appearance, extinct. For more than a whole century the seat of intellectual supremacy had been established in Rome; and during the same period Rome herself had turned to the West rather than to the East for renovation and support. Caesar’s conquests were like the revelation of a new world; and three times over, when the two halves of the divided empire came into collision, the champion who commanded the resources of that world had won. Henceforth it was to her western provinces and to her western frontiers that Rome looked for danger, for aggrandisement, or for renown. In Horace’s time, men asked each other what the warlike Cantabrians were planning; and the personal presence of Augustus himself was needed before those unruly Iberians could be subdued. His adopted sons earned their first laurels at the expense of Alpine mountaineers. His later years are filled with German campaigns; and the great disaster of Varus must have riveted attention more closely than any victory to what was passing between the Rhine and the Elbe. Under Claudius, the conquest of Britain opened a new source of interest in the West, and, like Germany before, supplied a new title of triumph to the imperial family. Half the literary talent in Rome, the two Senecas, Lucan, and at a269 later period Martial and Quintilian, came from Spain, as also did Trajan, whose youth fall in this period.央的

    可是After the revolution which destroyed the political power of the old aristocracy, there came a further revolution the effect of which was to diminish largely its social predominance. We learn from the bitter sarcasms of Horace and Juvenal that under the empire wealth took the place of birth, if not, as those satirists pretend, of merit, as a passport to distinction and respect. Merely to possess a certain amount of money procured admission to the equestrian and senatorial orders; while a smaller pecuniary qualification entitled any Roman citizen to rank among the Honestiores as opposed to the Humiliores, the latter only being liable, if found guilty of certain offences, to the more atrocious forms of capital punishment, such as death by the wild beasts or by fire.314 Even a reputation for learning was supposed to be a marketable commodity; and when supreme power was held by a philoso207pher, the vulgar rich could still hope to attract his favourable notice by filling their houses with books.315 We also know from Juvenal, what indeed the analogy of modern times would readily suggest, that large fortunes were often rapidly made, and made by the cultivation of very sordid arts. Thus members of the most ignorant and superstitious classes were constantly rising to positions where they could set the tone of public opinion, or at least help to determine its direction.腕微By true conviction into exile driven;了重

    雷声Even M. Vacherot, with all his anxiety to discover an Oriental origin for Neo-Platonism, cannot help seeing that this attack on the Gnostics was inspired by an indignant reaction of Greek philosophy against the inroads of Oriental superstition, and that the same character belongs more or less to the whole system of its author. But, so far as we are aware, Kirchner is the only critic who has fully worked out this idea, and exhibited the philosophy of Plotinus in its true character as a part of the great classical revival, which after producing the literature of the second century reached its consummation in a return to the idealism of Plato and Aristotle.522得到

   成小江西快3手机投注app下载安装 This reaction had begun to make itself felt long before the birth of a philosophical literature in the Latin language. It may be traced to the time when the lecture-halls at Athens were first visited by Roman students, and Greek professors first received on terms of intimate companionship into the houses of Roman nobles. In each instance, but more especially in the latter, not only would the pupil imbibe new ideas from the master, but the master would suit his teaching to the tastes and capacities of the pupil. The result would be an intellectual condition somewhat resembling that which attended the popularisation of philosophy in Athens during the latter half of the fifth century B.C.; and all the more so as speculation had already spontaneously reverted to the Sophistic standpoint. The parallel will be still more complete if we take the word Sophist in its original and comprehensive sense. We may then say that while Carneades, with his entrancing eloquence and his readiness to argue both sides167 of a question, was the Protagoras of the new movement; Panaetius, the dignified rationalist and honoured friend of Laelius and the younger Scipio, its Prodicus; and Posidonius, the astronomer and encyclopaedic scholar, its Hippias, Phaedrus the Epicurean was its Anaxagoras or Democritus.自己太古


  

至尊If Plato stands at the very antipodes of Fourier and St. Simon, he is connected by a real relationship with those thinkers who, like Auguste Comte and Mr. Herbert Spencer, have based their social systems on a wide survey of physical science and human history. It is even probable that his ideas have exercised a decided though not a direct influence on the two writers whom we have named. For Comte avowedly took many of his proposed reforms from the organisation of mediaeval Catholicism, which was a translation of philosophy into dogma and discipline, just as Positivism is a re-translation of theology into the human thought from which it sprang. And Mr. Spencer’s system, while it seems to be the direct antithesis of Plato’s, might claim kindred with it through the principle of differentiation and integration, which, after passing from Greek thought into political economy and physiology, has been restored by our illustrious countryman to something more than its original generality. It has also to be observed that the application of very abstract truths to political science needs to be most jealously guarded, since their elasticity increases in direct proportion to their width. When one thinker argues from the law of increasing specialisation to a vast extension of governmental interference with personal liberty, and another thinker to its restriction within the narrowest possible limits, it seems time to consider whether experience and expediency are not, after all, the safest guides to trust.狱亡
  

待行Apart, however, from abstract speculation, the ideal156 method seems to have exercised an immediate and powerful influence on Art, an influence which was anticipated by Socrates himself. In two conversations reported by Xenophon,102 he impresses on Parrhasius, the painter, and Cleito, the sculptor, the importance of so animating the faces and figures which they represented as to make them express human feelings, energies, and dispositions, particularly those of the most interesting and elevated type. And such, in fact, was the direction followed by imitative art after Pheidias, though not without degenerating into a sensationalism which Socrates would have severely condemned. Another and still more remarkable proof of the influence exercised on plastic representation by ideal philosophy was, perhaps, not foreseen by its founder. We allude to the substitution of abstract and generic for historical subjects by Greek sculpture in its later stages, and not by sculpture only, but by dramatic poetry as well. For early art, whether it addressed itself to the eye or to the imagination, and whether its subjects were taken from history or from fiction, had always been historical in this sense, that it exhibited the performance of particular actions by particular persons in a given place and at a given time; the mode of presentment most natural to those whose ideas are mainly determined by contiguous association. The schools which came after Socrates let fall the limitations of concrete reality, and found the unifying principle of their works in association by resemblance, making their figures the personification of a single attribute or group of attributes, and bringing together forms distinguished by the community of their characteristics or the convergence of their functions. Thus Aphroditê no longer figured as the lover of Arês or Anchisês, but as the personification of female beauty; while her statues were grouped together with images of the still more transparent abstractions, Love, Longing, and Desire. Similarly Apollo became a personification of musical enthusiasm, and Dionysus157 of Bacchic inspiration. So also dramatic art, once completely historical, even with Aristophanes, now chose for its subjects such constantly-recurring types as the ardent lover, the stern father, the artful slave, the boastful soldier, and the fawning parasite.103伐依


  


  <


打印 责任编辑:分分幸运28手机购彩网址

扫一扫在手机打开当前页

© 1996 - 2020 1分时时彩手机投注网址 版权所有 京ICP备0505402857号 京公网安备1104025000qq47号

联系我们 地址:北京市三里河路52号 邮编:100864

  •